Stands are terrible things. Boorish blocks, most often with as sole purpose to lift the sculpture out of the ordinary. Away from the table or the floor. A lift without beauty. Many sculptors feel this reluctance and take other options. Brancusi made his stands as the corps de ballet that would lift his solo piece; The Sculpture, into space. Exciting and refreshing to behold. Inspiring. Lovely. As I am not Brancusi, I go for another option, I like to use small tables. Made my me preferably, so I can choose the seize, and because I’ll be at Art Eindhoven soon I wanted some new ones that are easy to transport. Foldable. I was having a stagaire over for the first time, so I thought we’ll try some designing. But, hey, it went marvellous and at the end of the day we had a prototype finished! He was happy, I was happy and almost ready for Eindhoven (have to make 8 extra ones still). Art Eindhoven, nr 29, 13 and 14th of April. If you like to come, please let me know I have some tickets to give away!
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The portrait of Ronald Snijders was taking quite some effort. Luckily for me I needed Ronald twice to model for me. To have someone is modeling is always special. We talk about loads of things but it is never small talk. In the intimacy of a work that is born into the clay, we always talk about things that make your life (and mine) worthwhile. Or hard. Or great. Because I want to catch the essence of a person it can not be about superficial things. Ronald is an amazing guy, storyteller, intelligent, living a full life. Musician. He experienced a million things and is very aware of being part of a family, a link in a long history. And surely we talked about being colored or white in this society, man or woman, opposites. In the end I figured out what to do and finished the portrait. We are both very happy with the result and having Ronald over to see his portrait was once again a lovely experience!