Stands are terrible things. Boorish blocks, most often with as sole purpose to lift the sculpture out of the ordinary. Away from the table or the floor. A lift without beauty. Many sculptors feel this reluctance and take other options. Brancusi made his stands as the corps de ballet that would lift his solo piece; The Sculpture, into space. Exciting and refreshing to behold. Inspiring. Lovely. As I am not Brancusi, I go for another option, I like to use small tables. Made my me preferably, so I can choose the seize, and because I’ll be at Art Eindhoven soon I wanted some new ones that are easy to transport. Foldable. I was having a stagaire over for the first time, so I thought we’ll try some designing. But, hey, it went marvellous and at the end of the day we had a prototype finished! He was happy, I was happy and almost ready for Eindhoven (have to make 8 extra ones still). Art Eindhoven, nr 29, 13 and 14th of April. If you like to come, please let me know I have some tickets to give away!
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Today I was taken by surprise by someone that bought a sculpture I made, 8 years ago...She is still enjoying it. Such a lovely message! Thank you for the compliment singer and musician Ineke van Doorn!
I finally wanted to make the Gate to Here and Now. All material for this sculpture was already in my studio, I'm quite a hoarder and have many ideas, so my studio is full of 'stuff'. 'A mess', people without many ideas might call it. The rod I had around I could bend and form into a gate and a space. When one passes the gate one enters the Here and Now. The line is quite thin and golden, the golden lining of your world. Your perception for sure. The way it has been constructed, quite sloppy, of material I had laying around, makes me happy. Everything to get into the Here and Now was already here. You can see it at Impulse and, magnificent detail, it is in chains there! Very important this Gate to Here and Now is not to be stolen. (It is very easy to take apart, it has to fit in my car, but this will forever remain our secret.) More of this? https://lnkd.in/dVK5hB3
On a certain day I was asked to restore a sculpture, a portrait of a little boy, Valentin, made by a French sculptor in 18hundred something. A lovely statue to behold. So I fixed it in a way that was strong and invisible and the little boy captured my heart, so I copied the sculpture. Copying is a way of learning, and I learned very much in the process. But I did want to make it my own sculpture as well, and contemporain. So I struggled. I used black firing clay, covered it in white, added underglaze, fired it, still was not happy. As I was in the process of painting it with acrylic paint Paris and the rest of Europe were shaken by the attack on Charlie Hebdo. This made me add an extra layer to the sculpture and gave it its name. You can come to see it in Impuls in Wageningen, and a lot of other works as well.